中國的傳統服裝是旗袍的英文介紹

1. 旗袍 英文簡介

以下這篇關於中國旗袍的完整介紹內容，應值得你參考：
CHINESE CHEONGSAM (QIPAO)
The cheongsam is a female dress with distinctive Chinese features and enjoys a growing popularity in the international world of high fashion.
The name "cheongsam," meaning simply "long dress," entered the English vocabulary from the dialect of China's Guangdong Province (Cantonese). In other parts of the country including Beijing, however, it is known as "qipao", which has a history behind it.

When the early Manchu rulers came to China proper, they organized certain people, mainly Manchus, into "banners" (qi) and called them "banner people" (qiren), which then became loosely the name of all Manchus. The Manchu women wore normally a one-piece dress which, likewise, came to be called "qipao" or "banner dress." Although the 1911 Revolution toppled the rule of the Qing (Manchu) Dynasty, the female dress survived the political change and, with later improvements, has become the traditional dress for Chinese women.

Easy to slip on and comfortable to wear, the cheongsam fits well the female Chinese figure. Its neck is high, collar closed, and its sleeves may be either short, medium or full length, depending on season and taste. The dress is buttoned on the right side, with a loose chest, a fitting waist, and slits up from the sides, all of which combine to set off the beauty of the female shape.

The cheongsam is not too complicated to make. Nor does it call for too much material, for there are no accessories like belts, scarves, sashes or frills to go with it.

Another beauty of the cheongsam is that, made of different materials and to varying lengths, they can be worn either on casual or formal occasions. In either case, it creates an impression of simple and quiet charm, elegance and neatness. No wonder it is so much liked by women not only of China but of foreign countries as well.

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2. 英語介紹旗袍

翻譯如下
旗袍
清統一中國，也統一全國服飾，男人穿長袍馬褂，女人穿旗袍。到了上世紀30年代初，旗袍已經極為流行了。旗袍正以濃郁的民族風格，體現了中華民族傳統的服飾美。棉製旗袍很受歡迎，尤其是那些具有中國傳統圖案和文字的式樣更受歡迎。至二十年代末，因受歐美服裝的影響，旗袍的樣式也有了明顯的改變。旗袍的袖口便逐漸收小，而且綉邊也不像之前那麼寬了。如今中山裝和旗袍已經成為我國男女服裝的代表。
The Qing Dynasty unified China, and unified the nationwide costume as well. By the early 19306, Chi-pao had been very popular. Cheongsam features strong national flavor and embodies beauty of Chinese traditional costume. The cotton cheongsams are selling well, especially the ones with the traditional Chinese patterns and characters.At the end of20s, with the influenced of occident, the style of cheongsam changed obviously. The cuff was reced graally, and embroidered border was not as broad as the previous one. Nowadays, Zhongshan Suit and Qipao have become the representatives of Chinese men and women clothing.

3. 初二英語作文：關於中國傳統服裝

旗袍

旗袍是從滿族古老的服裝演變而來的。旗袍，滿語稱"衣介"。古時泛指滿洲、蒙古、漢軍八旗男女穿的衣袍。

清初（公元1644年-公元1911年）衣袍式樣有幾大特點：無領、箭袖、左衽、四開衩、束腰。箭袖，是窄袖口，上加一塊半圓形袖頭，形似馬蹄，又稱"馬蹄袖"。馬蹄袖平日綰起，出獵作戰時則放下，覆蓋手背，冬季可禦寒。四開衩，即袍下擺前後左右，開衩至膝．左衽和束腰，緊身保暖，腰帶一束，行獵時，可將干糧，用具裝進前襟。男子的長袍多是藍，灰、青色，女子的旗裝多為白色． 滿族旗袍還有一個特點，就是在旗袍外套上坎肩。坎肩有對襟、捻襟、琵琶襟、一字襟等。穿上坎肩騎馬馳聘顯得十分精幹利索。

清世祖入關，遷都北京，旗袍開始在中原流行。清統一中國，也統一全國服飾，男人穿長袍馬褂，女人穿旗袍。以後，隨著滿漢生活的融合，統一，旗袍不僅被漢族婦女吸收，並不斷進行革新。特別隨著辛亥革命的風雲，旗袍迅速在全國普及。

自30年代起，旗袍幾乎成了中國婦女的標准服裝，民間婦女、學生、工人、達官顯貴的太太，無不穿著。旗袍甚至成了交際場合和外交活動的禮服。後來，旗袍還傳至國外，為他國女子效仿穿著。 至20世紀30年代，滿族男女都穿直統式的寬襟大袖長袍。女性旗袍下擺至（骨幹）(小腿)，有綉花卉紋飾。男性旗袍下擺及踝，無紋飾。

40年代後，受國內外新式服飾新潮的沖擊，滿族男性旗袍已廢棄，女性旗袍由寬袖變窄袖，直筒變緊身貼腰，臀部略大，下擺回收，長及踝，逐漸形成今日各色各樣講究色彩裝飾和人體線條美的旗袍樣式。

漢族婦女為啥喜愛穿旗袍？主要旗袍的造型與婦女的體態相適合，線條簡便，優美大方，所以，有人認為旗袍是中國女人獨有的福音，可起到彩雲托月的作用。而且，旗袍是老少宜穿，四季相宜，雅俗共賞。 根據季節的變化和穿著者的不同需要、愛好，可長可短，可做單旗袍、夾旗袍；也可做襯絨短袍、絲棉旗袍。並且，隨著選料不同，可展現出不同風格。選用小花、素格、細條絲綢製作，可顯示出溫和、穩重的風韻；選用織錦類衣料製作，可當迎賓、赴宴的華貴眼飾。

當中國旗袍在日本、法國等地展銷時，很受當地婦女人士歡迎，她們不借重金，爭購旗袍，特別是黑絲絨夾金花、簍金花的高檔旗袍，最為搶手。旗袍正以濃郁的民族風格，體現了中華民族傳統的服飾美。它不僅成為中國女裝的代表，同時也公認為東方傳統女裝的象徵。

Chinese Cheongsam

The cheongsam, or Qipao in Chinese, is evolved from a kind of ancient clothing of Manchu ethnic minority. In ancient times, it generally referred to long gowns worn by the people of Manchuria, Mongolia and the Eight-Banner.

In the early years of the Qing Dynasty (1644-1911), long gowns featured collarless, narrow cuff in the shape of a horse's hoof, buttons down the left front, four slits and a fitting waist. Wearers usually coiled up their cuff, and put it down when hunting or battling to cover the back of hand. In winter, the cuff could serve to prevent cold. The gown had four slits, with one on the left, right, front and back, which reached the knees. It was fitted to the body and rather warm. Fastened with a waistband, the long gown could hold solid food and utensils when people went out hunting. Men's long gowns were mostly blue, gray or green; and women's, white.

Another feature of Manchu cheongsam was that people generally wore it plus a waistcoat that was either with buttons down the front, a twisted front, or a front in the shape of lute, etc.

When the early Manchu rulers came to China proper, they moved their capital to Beijing and cheongsam began to spread in the Central Plains. The Qing Dynasty unified China, and unified the nationwide costume as well. At that time, men wore a long gown and a mandarin jacket over the gown, while women wore cheongsam. Although the 1911 Revolution toppled the rule of the Qing (Manchu) Dynasty, the female dress survived the political change and, with succeeding improvements, has become the traditional dress for Chinese women.

Till the 1930s, Manchu people, no matter male or female, all wore loose-fitting and straight-bottomed broad-sleeved long gowns with a wide front. The lower hem of women's cheongsam reached the calves with embroidered flower patterns on it, while that of men's cheongsam reached the ankles and had no decorative patterns.

From the 1930s, cheongsam almost became the uniform for women. Folk women, students, workers and highest-tone women all dressed themselves in cheongsam, which even became a formal suit for occasions of social intercourses or diplomatic activities. Later, cheongsam even spread to foreign countries and became the favorite of foreign females.

After the 1940s, influenced by new fashion home and abroad, Manchu men's cheongsam was phased out, while women's cheongsam became narrow-sleeved and fitted to the waist and had a relatively loose hip part, and its lower hem reached the ankles. Then there emerge various forms of cheongsams we see today that emphasize color decoration and set off the beauty of the female shape.

Why do Han people like to wear the cheongsam? The main reason is that it fits well the female Chinese figure, has simple lines and looks elegant. What's more, it is suitable for wearing in all seasons by old and young.

The cheongsam can either be long or short, unlined or interlined, woolen or made of silk floss. Besides, with different materials, the cheongsam presents different styles. Cheongsams made of silk with patterns of flowerlet, plain lattices or thin lines demonstrate charm of femininity and staidness; those made of brocade are eye-catching and magnificent and suitable for occasions of greeting guests and attending banquets.

When Chinese cheongsams were exhibited for sales in countries like Japan and France, they received warm welcome from local women, who did not hesitate to buy Chinese cheongsams especially those top-notch ones made of black velour interlined with or carved with golden flowers. Cheongsam features strong national flavor and embodies beauty of Chinese traditional costume. It not only represents Chinese female costume but also becomes a symbol of the oriental traditional costume.

4. 一篇關於旗袍的英語作文

.

Thename"cheongsam,"meaningsimply"longdress,"'sGuangdongProvince(Cantonese).,however,itisknownas"qipao",whichhasahistorybehindit.

,theyorganizedcertainpeople,mainlyManchus,into"banners"(qi)andcalledthem"bannerpeople"(qiren),.

chuwomenworenormallyaone-piecedresswhich,likewise,cametobecalled"qipao"or"bannerdress."(Manchu)Dynasty,,withlaterimprovements,.

,.Itsneckishigh,collarclosed,anditssleevesmaybeeithershort,mediumorfulllength,dependingonseasonandtaste.,withaloosechest,afittingwaist,andslitsupfromthesides,.

.,,scarves,sashesorfrillstogowithit.

,,.Ineithercase,,eleganceandneatness.l.

Cheongsam

,itsaid.,longgownwithatraditionalstyle."serviceflag",,tomeettheWestandadoptWestern-styletailoredaesthetic,,.

Becauseofthelarge-,manypeople,trycheongsamsservedasChina'sview.Theviewisnotcorrect.Cheongsamisafashion,awitnessoftheera.

旗袍因其式樣由滿族婦女的長袍改制而成，故稱。是民國時期中國婦女開始穿著的、帶有傳統風格的長衫。

普遍認為，旗袍不同於滿族民族服飾「旗服」，現代旗袍是有中國特色，迎合西方審美並採用西式剪裁的，興起於二十年代，流行於三四十年代的時裝。由於旗袍的大范圍流行和近年來影視作品的宣傳，不少人尤其是對歷史了解甚少的年輕人將旗袍當作中國的國服來看待。這樣的觀點並不正確的。旗袍只是一種時裝,一個時代的見證.回答人的補充2009-06-0800:44,itsaid.,longgownwithatraditionalstyle."serviceflag",,tomeettheWestandadoptWestern-styletailoredaesthetic,,.Becauseofthelarge-,manypeople,trycheongsamsservedasChina`sview.Theviewisnotcorrect.Cheongsamisafashion,awitnessoftheera.

5. 中國民族服飾介紹 英文 好的送分！！

中國民族服飾：Chinese Ethnic Costumes

Chinese Traditional Costumes of Past Dynasties 中國歷代傳統服飾

China, known as a" land of dresses",has a long history in the development of its clothing culture. Dresses in different periods reflect, to a certain extent, the situation of the politics, economy, military affairs, religions, and the civil customs of the specific historical stages. In the primitive society, people led a simple life in caves and generally worn nothing. In the Neolithic Age, the ancestors of the Chinese people were able to make tools. They invented bone needles and sewed primitive cloths. About 5,000 years ago, ring the Yangshao Cultural Period, people lived a stable life and agriculture and textiles came into being. They raised silkworms and began to weave silk clothing which made people's clothing more perfect. After human kind entered the class society, clothing became the symbol of people's social statuses. During the Western Zhou Dynasty (1066-771B.C.), China virtually had a complete clothing system. From the Zhou Dynasty to the elimination of the feudal society in China, emperors, empresses, imperial concubines, princes, princesses, officials, and common people were attired in different ways.

Chinese clothing in the past dynasties can be roughly divided into the following categories: clothing of the remote times; that of the Shang and Zhou Dynasties; that of the Qin and Han Dynasties; that of the Wei, Jin, and Northern and Southern Dynasties; that of the Sui, Tang ,and the Five Dynasties; that of the Song Dynasty; that of the Liao, Jin, and Yuan Dynasties; that of the Ming Dynasty; that of the Qing Dynasty; and that of modern times.

Costumes of Minority Groups of China 中國少數民族服侍

China is a country consisting of 56 ethnic nationalities, and each of them has its own clothing style with distinct ethnic characteristics, e to the influence of different culture, traditions, and geographical feature. On the other hand, they influenced and learned from one another in the way they dresses themselves as people of various ethnic lived together or migrate.

As a result, the dresses of various ethic groups, like their culture, share something in common while they have their own ethnic, regional, and traditional features as well as traces of merge and transformation, forming a brilliant feature, colorful clothing culture of the Chinese. Roughly speaking, the loose gown and long robe worn by the people of the minority tribes in northern China are straightforward and the long skirt and pants worn by the people in southern China are made of fine workmanship. Due to the impact of the complicated geography and climate, the clothing of the minority nationalities in southern China is richer in variety and more colorful than that of the minority groups in the north. Dresses are the important symbols of the ethnic nationality identification and the blood lineage of China's minority groups. People usually are attired in special way on such occasions as festivals, wedding, religious, and funeral ceremonies, and other important activities. The change of clothing manifests an ethnic group's economic life, religious belief, world outlook, ideology, aesthetic consciousness, customs, and its course of development.

Chinese Qipao Dress (Cheongsam) 旗袍中山裝

The Qipao dress dates back to the Ming and Qing Dynasties. Perfectly fitting the beautiful figure of Asia females, it is regarded as quintessence of China, reflecting the Chinese culture and arts. While the Qipao makes people's life more colorful with its national characteristics and strong happy colors and fashion designs, it possesses a lasting value itself.

6. 英語翻譯：旗袍（Qipao）是中國獨特的傳統服飾，那句更好

英語翻譯：旗袍（Qipao）是中國獨特的傳統服飾，那句更好？
1)Qipao is a special traditional costume in China.
2)Qipao is a unique kind of traditional Chinese attire
句型第二句好，但是attire最好換成第一句的costume

7. 中國歷代服飾的英文介紹

Introction of Chinese Clothing

http://www.china-window.com/china_culture/clothing/introction-of-chinese-c.shtml

8. 中英文對照的旗袍起源簡介

1840年以後進入近代，西洋文化浸襲著中國本土文化，許多沿海大城市，尤其是上海這樣的大都會，因華洋雜居，得西文風氣之先，服飾也開始發生潛在的變革。
風行於二十世紀20年代的旗袍，脫胎於清代滿族婦女服裝，是由民國婦女在穿著中吸收西洋服裝式樣不斷改進而定型的。當時無專業服裝研究中心，服裝式樣的變化以千家萬戶，在時代風尚的影響下不斷變化。
從20世紀20年代至40年代末，中國旗袍風行了20多年，款式幾經變化，如領子的高低、袖子的短長、開衩的高矮，使旗袍徹底擺脫了老式樣，改變了中國婦女長期來束胸裹臂的舊貌，讓女性體態和曲線美充分顯示出來，正適合當時的風尚，為女性解放立了一功。青布旗袍最為當時的女學生所歡迎，一時不脛而走，全國效仿，幾乎成為20年代後期中國新女性的典型裝扮。值得一提的是，當時作為領導服裝潮流的十里洋場中摩登女郎、交際名媛影劇明星等，在旗袍式樣上的標新立異，也促進了它的發展，其中如交際花唐瑛等人，最早在上海創辦的雲裳時裝公司便是。自30年代起，旗袍幾乎成了中國婦女的標准服裝，民間婦女、學生、工人、達官顯貴的太太，無不穿著。旗袍甚至成了交際場合和外交活動的禮服。後來，旗袍還傳至國外，為他國女子效仿穿著。
30年代和40年代是旗袍的黃金時代，也是近代中國女裝最為光輝燦爛的時期。這時的旗袍造型纖長，與此時歐洲流行的女裝廓形相吻合。此時旗袍已經完全跳出了旗女之袍的局限，完全是一個"中西合璧"的新服式了。先是有了"別裁派"的說法。旗袍的局部被西化，在領、袖外採用西式的處理，如用荷葉領、西式翻領、荷葉袖等，或用左右開襟的雙襟。這些改革的應用雖並不廣泛，但表示了當時人們思想上的自由，旗袍原有的程式不再是必須遵循的。旗袍與西式外套的搭配也是"別裁派"的一個特點，這使得旗袍進入了國際服裝大家族，可以與多種現代服裝組合，用現在的話來說，它已經"國際化和現代化了"。20年代的旗袍仍然寬大平直；與沁時流行的倒大袖相呼應，旗袍的下擺比較大，整個袍身也是呈"倒大"的形狀。但肩、胸乃至

腰部，則已呈合身之趨勢。張愛玲說："初興的旗袍是嚴冷方正的，具有清教徒的風。"這位以善於觀察和描述時裝的女作家所說的"初興"，如果是指20年代，那"嚴冷方正"一定是她童年的印象了。
30年代末出現了"改良旗袍"。旗袍的裁法和結構更加西化，胸省和腰省的使用旗袍更加合身，同時出現了肩縫和裝袖，使肩部和腋下也合體了。有人還使較軟的墊肩，謂之"美人肩"。這表明女性開始拋棄以削肩為特徵的舊的理想形角。這些裁剪和結構上的改變，都是在上海完成的。上海鴻翔公司的後人金泰鈞先生對此堅信不疑。他本人雖未親身經歷了這一過程的全部，但他在40年代工作於鴻翔時，還可從老師傅處獲得有關於此的很多消息。這時旗袍已經成熟已經定型，以後的旗袍再也跳不出30年代旗袍所確定的基本形態，只能在長短、肥瘦及裝飾上作些變化。全世界女性們所鍾愛的旗袍，就是以30年代旗袍為典型的。而30年代的旗袍，就是以海派旗袍為楷模的。
二十世紀20年代，受西方服飾影響，經改進之後的旗袍逐漸在廣大婦女中流行起來。旗袍的樣式很多，開襟有如意襟、琵琶襟、斜襟、雙襟；領有高領、低領、無領；袖口有長袖、短袖、無袖；開衩有高開衩、低開衩；還有長旗袍、短旗袍、夾旗袍、單旗袍等。改良後的旗袍在20世紀30年代，幾乎成為中國婦女的標准服裝。
此時的時裝流行中心早已由蘇、揚移至上海。上海又是婦女尋求解放的重鎮。傳教士、商人、革命黨人競相創辦女學，掀起了一股女權運動浪潮，尋求解放的社會大氣候盪滌著服飾妝扮上的陳規陋習，趨向於簡潔，色調力求淡雅，注重體現女性的自然之美。旗袍最初是以馬甲的形式出現，馬甲長及足背，加在短襖上。後將長馬甲改成有袖的式樣，也就成了新式旗袍的雛形。據說得風氣之先的上海女學生是旗袍流行的始俑者。當時的女學生作為知識女性的代表，成為社會的理想形象，她們是文明的象徵、時尚的先導，以至社會名流時髦人物都紛紛作女學生裝扮。
早期旗袍款式之一
旗袍源於旗人之袍，而北京是旗人聚居最多之地，所以直至清末民初，旗袍是屬於京派文化的。清代的旗人之袍包括男袍和女袍，但由於旗袍是女裝，所以也可以說旗袍源於旗女之袍。清初較為瘦長緊窄小袖素簡的旗女之袍，到了清末已變得寬大繁褥。辛亥革命之後，旗人多棄袍服而著大褂與褲，故20世紀10年著旗袍者極少，20年代才略有回復。鼎革後的旗袍有了質的變化，這個變化的主要發生之地，卻是上海。
清代旗裝與民國旗袍的主要差別有三點：
⒈ 旗裝寬大平直，不顯露形體；民國旗袍開省收腰，表現體態或女性曲線。
⒉ 旗裝內著長褲，在開衩處可見綉花的褲腳；民國旗袍內著內褲和絲襪，開衩處露腿。
⒊ 旗裝面料以厚重織錦或其他提花織物居多，裝飾繁瑣；民國旗袍面料較輕薄，印花織物增多，裝飾亦較簡約。
正是這三點差別，使旗袍發生了質的變化--從傳統的袍服變成可與西方裙服相類比的新品種。袍服是外套，是強調功能（防寒、遮體、表示身份等）的服裝種類，其審美意味是傳統的含蓄。裙服，法語中的robe或英語中的one-piece dress，雖也有著與中國袍服相仿的歷史和強調功能的傳統，但表現女性體態曲線卻也是它悠久的傳統之一；而現代裙裝則加強了這一特點，由含蓄的、理想化的、局部的表現，變為暴露、性感和全身的表現。現代西方裙裝的所有這些表現女性體態細微變化的表現而言，民國旗袍是無與倫比的。新中國成立之後，大陸穿旗袍的女性急劇減少。有一位知名人曾不無遺憾地說："對身材較好的女子而言，不能穿旗袍實在是一大損失！"
1911年辛亥革命風暴驟起，推翻了滿族統治者，摧毀了中國歷史上最後一個封建王朝，為西式服裝在中國的普及清除了政治障礙，同時也把傳統苛刻的禮教與風化觀念丟在了一邊，解除了服制上等級森嚴的種種桎梏。服裝走向平民化、國際化的自由變革，已經水到渠成，旗袍由此卸去了傳統沉重的負擔。由於滿族統治政權的消亡，旗袍此時穿著者甚少。西式中式裝扮熙熙攘攘紛繁並處。舊式的旗女長袍既被摒棄，新式旗袍則在亂世妝扮中開始釀成。
民國之初——悄然過渡過的旗袍。
20世紀初，中國政治風雲跌宕。辛亥革命廢除帝制，創立民國，剪辮發，易服色，摧枯拉朽，推翻了滿族封建統治者，把屬於封建朝代的冠服等級制度送進了歷史博物館，這一切為新式旗袍的延生創造了條件。
陳數旗袍照
辛亥革命後「達拉翅」、「花盆底」等旗女的特徵裝束在一夜之間銷聲匿跡……
1924年，末代皇帝溥儀被逐出紫禁城，清朝冠服就此成為絕唱。1920年前後，新文化運動的春潮喚醒了人們對美的渴望。
這一時期，上海成為以女性妝飾的新展示台，追求服飾的新穎時髦成為當時的社會風尚，時髦女子對政治與服飾流行有著雙重的敏感。
受日本式服裝影響，20世紀10年代和20年代早期，"文明新裝"開始流行，女學生與女教師愛著的黑色裙成為時尚。
20年代——倒大袖與新樣式。
20世紀10年代和20年代早期，城市女性中時興過一陣「文明新裝」。30年代——黃金時代（i）
20世紀20年代到40年代，是近代中國女裝最光輝燦爛的時期，而30年代又可謂這一時期燦爛的頂峰。也就是在此時，旗袍奠定了它在女裝舞台上不可替代的重要地位，成為中國女裝的典型代表。
40年代——黃金時代（ii）
旗袍走向經典的過程，可說在30年代已基本完成，40年代是其黃金時代在時間上的延續。
20年代以後到40年代，是近代中國女裝最光輝燦爛的時期，而30年代又可謂這一時期燦爛的頂峰。也就是在此時，旗袍奠定了它在女裝舞台上不可替代的重要地位，成為中國女裝的典型代表。
進入30年代後，旗袍造型完美成熟，堪稱經典之作，使得以後的旗袍始終難以跳出該種廓形，只能在長短、胖瘦及裝飾上略作變化而已……
全世界家喻戶曉的旗袍，被稱作Chinese dress的旗袍（海派旗袍），實際上正是指30年代的旗袍。旗袍文化完成於30年代，30年代是屬於旗袍的黃金時代。
可以說到這時中國才有了真正的時裝，現代意義上的時裝。外國衣料的源源輸入，各大報刊雜志開辟的服裝專欄，還有紅極一時的月份牌時裝美女畫，都無疑推動著時裝的產生與流行。由於旗袍的修長適體正好迎合了南方女性清瘦玲瓏的身材特點，所以在上海灘倍受青睞……
而加入西式服裝特點的海派旗袍，也就自然很快從上海風靡於全國各地。這樣，作為海派文化的重要代表，海派旗袍便成為30年代旗袍的主流，我們所講的30年代的旗袍也就是海派旗袍了。
30年代後期出現的改良旗袍又在結構上吸取西式裁剪方法，使袍身更為稱身合體。旗袍雖然脫胎於清旗女長袍，但已迥然不同於舊制，成為兼收並蓄中西服飾特色的近代中國女子的標准服裝……
建國之初，人們對衣著美的追求已完全轉化成了對革命工作的狂熱。旗袍所代表的悠閑、舒適的淑女形象在這種氛圍里失去了其生存空間……

9. 旗袍的英文簡介

牛仔褲，英文名為「Jeans」，最早記載於1567年，是對來自義大利港口城市那亞（Genoa）祥的商船水手所穿的褲子的稱謂，捷即「或「Genoese」Genes」。從19